Source components are shown only in advanced view. Click the Advanced button to switch to advanced view, then click the A/B/C/D button to view detailed parameters for the selected source.
The source edit window is opened by clicking the Edit button on any source subpage. Click the close window icon (X) at the top right to close the window.
Use the Spectral button at the top of the Main edit window to open the Spectral edit window.
Spectral edit window: Use to graphically edit spectral resynthesis data. You can also create new sounds by using simple paint tools directly in the display.
Spectral data is displayed as follows in the Spectral edit window, or “canvas”.
Time, expressed in seconds, is represented along the x-axis from left to right. It is also shown at the pointer position.
Frequency, in Hertz, is represented along the y-axis from bottom to top. It is also shown at the pointer position.
Amplitude is represented by brightness, using shades of blue. Dark blues represent lower amplitude values, and light blues represent higher amplitude values. Silence is black, and the loudest amplitude is white.
A green play position indicator scrolls across the image for the most recently triggered voice.
Warp markers are also shown, if the Warp button is enabled in the Main edit window.
Note: Accurate resynthesis requires a much finer frequency resolution than the spectral display can accommodate. Frequency information depicted in the display is a coarse representation of the underlying data. Graphical data creation and editing are performed at the resolution of the display. This means that you cannot paint conventional melodies and chords consisting of precise notes, for example.
Draw/Mask buttons: Set a mode that affects the behavior of the paint tools.
Draw: The paint tools can be used to modify the image itself either by drawing new or deleting existing content or by increasing or decreasing the luminosity of specific parts of the spectrum.
Mask: The entire image is masked, as if covered with a layer of black wax. The paint tools can be used to selectively reveal parts of the underlying image, as if scraping away the wax to reveal the layer underneath.
Note: The most recent edit made in the Spectral editor can be undone by pressing Command-Z. Multiple edits can be reversed by pressing Option-Command-Z, then choosing the step you want to revert to from the Undo History window.
Lasso, Brush, and Erase buttons: Choose a select (Lasso) or brush mode. Erase uses the selected brush type to remove portions of the spectrogram.
Lasso button: Turn on to activate a select mode. Drag across the spectral canvas to select an area.
In mask mode, your selection only is played. The unselected portion of the canvas is silent.
In draw mode, your selection can be used as a brush shape.
Brush button: Turn on to activate brush mode. You can draw directly on the image when in draw mode, or scrape away the mask layer to reveal the underlying image when in mask mode. Any Lasso selection can be used as a brush shape that remains available until you select a different brush shape. See Brush pop-up menu and field.
Hold down Shift to limit painting to the vertical axis.
Hold down Command to limit painting to the horizontal axis.
Erase button: Turn on to selectively remove portions of the image with the selected brush type. See Brush pop-up menu.
Brush pop-up menu and field: Choose a predefined brush shape. Visible only when the Brush or Erase button is active.
Circle, DotBlurred, LineHorizontal, and LineVertical produce the brush shapes described.
Transient produces a vertical edge that slopes to the right, typical of a percussive drum hit.
Custom uses the Lasso selection as a brush shape.
Size knob: Scale the size of the brush chosen in the Brush pop-up menu.
Note: When a custom brush is active, the Size knob is not available.
Color knob: Set the amplitude scaling of the brush. At 100%, brush strokes are white. At 50%, brush strokes are mid-blue. At zero, brush strokes are black. This knob is visible only when both the Draw and Brush buttons are active.
Note: When a custom brush is active, the maximum intensity is defined by the custom brush data.
Mode pop-up menu and field: Choose a mode that determines how the brush interacts with the existing canvas image in draw mode. This menu is visible only when both the Draw and Brush buttons are active.
Normal: Each pixel on the canvas is set identically to the corresponding brush pixel.
Add: Brush pixel values are added to the existing canvas pixel values. In this mode, painting multiple coats of blue results in increasingly higher amplitudes with each coat.
Multiply: Brush pixel values are multiplied with the existing canvas pixel values. Use this to selectively brighten parts of the image.
Mono/Stereo buttons: Switch the display mode between mono and stereo.
Note: This does not change the sound. In mono mode, stereo sounds are represented as a single image that represents both channels. Edits affect the left and right channels equally. In stereo mode, stereo sounds are shown in left and right lanes. Edits affect only the channel they are made in.
Resolution buttons: Switch the display between a linear and logarithmic representation of your spectral data on the vertical y-axis. Logarithmic (right button) is the default.
Linear (left): A simple linear scale with 11 KHz shown at the halfway point on the vertical y-axis. This mode is useful for detailed editing of very high frequency content.
Logarithmic (right): A logarithmic scale for frequency that corresponds more closely with human perception of pitch. Content at the halfway position on the y-axis is approximately 1 KHz. Log mode is useful for most editing duties.
Image button: Choose an import image option from the pop-up menu.
Import Image: Opens a dialog where you can select a file in PNG format that is placed directly on the spectral canvas. The imported image is positioned at the far left of the canvas. The height of the image is scaled to fit the entire vertical range of the canvas, and the width of the image is scaled by the same factor as the height, retaining the original image proportions. All color information is discarded, and image brightness information is mapped to amplitude. If the imported image width does not extend fully to the right edge of the canvas, existing data beyond the image edge remains in place. Images with a height of 256 lines result in a one-to-one map of pixels to spectral bins. The spectral editor display is actually 381 lines tall, so edits involve some blurring between bins.
Import Image to Brush: Opens a dialog where you can select a file in PNG format to be used as a brush for painting on the spectral canvas. The original dimensions of the image are preserved. You can place the image at any position with a click, or you can drag to paint with it.
Clear button: Deletes all spectral data from the source, leaving only silence (a solid black image).
Scroll bar and zoom controls: Drag the middle of the scroll bar to view spectral data that is not visible in the display area. Horizontally drag the zoom controls at either end of the scroll bar to resize the contents of the visible display area.